Tesseract (2026)

Cover design: Scarlett Robinson-Kean (2026)

Tesseract. Illustrated by Scarlett Robinson-Kean. ISBN 978-0-473-78266-5. Auckland: Paper Table, 2026. 110 pp.

Robert A. Heinlein: “– And he Built a Crooked House –.”

“What's a tesseract?”
“Didn't you go to school? A tesseract is a hypercube, a square figure with four dimensions to it, like a cube has three, and a square has two. Here, I'll show you …”

– Robert Heinlein, “– And he Built a Crooked House –.” Astounding Science Fiction (1941)

Robert A. Heinlein: “– And he Built a Crooked House –.”

Contents:

1. No time but the present (24/5-7/10/22)


2. Mutual Forgiveness (12/11/22-27/5/23)
3. Soft (22/9/22-5/7/23)
4. The key (3/12/22-27/5/23)
5. My partner (10/9/22-14/3/24)
6. Pick-ups (19/10/22-23/2/24)
7. The cat’s ritual (5/11/22-9/5/23)
8. The Ballad of the Great Storm (23/11/22-5/7/23)
9. Heavy Rescue 401 (5/12/22-8/3/24)
10. Our backyard (13/9/22-3/2/24)
11. Big pink (26/10/22-11/7/2023)
12. Rain (30/10/22-27/2/24)
13. The Great Impostor (26/9/22-13/2/24)
14. Under the knife (10/11/22-3/3/24)
15. An evening’s viewing (28/11/22-6/3/24)
16. Power cut (27/11/22-27/5/23)
17. It was so and not so (19/6/24)
18. Spartacus (19/9/22-2/5/23)


19. Chocolate Weetbix (6-7/4/22)


20. Nice (20/9/22-7/2/24)
21. So does this mean World War III? (18/11/22-11/7/2023)
22. Insignificance (30/9/22-15/2/24)
23. When people are anxious (14/11/22-11/7/2023)
24. Gallowglass (6/9/22-28/1/24)
25. India twenty years ago (29/9/22-14/2/24)
26. The Sixties (23/10/22-24/2/24)
27. Get out of the way! (29/10/22-26/2/24)
28. Wolf (21/9/22-5/7/23)
29. Strangers on a train (12/10/22-20/2/24)
30. From Russia with Love (18/10/22-22/2/24)
31. The Basketballathon (20/2/22-15/10/23)
32. Towards the end (24/10/22-25/2/24)
33. I miss it sometimes (15/11/22-11/7/2023)
34. The inverse ninja law (17/11/22-11/7/2023)
35. Bronwyn (8/12/22-5/7/23)
36. My mother’s rose bushes (18/9/22-2/4/23)


37. Time in Poetry (27-28/4/22)


38. Zealandia (11/9/22-2/2/24)
39. Scurvy Grass (6/2-22/7/21)
40. Coming in from the cold (25/10/22-11/7/2023)
41. All that you love will be carried away (17/9/22-7/2/24)
42. Rear Window (8/10/22-17/2/24)
43. Kimono (1/10/22-15/2/24)
44. Is time travel possible? (25/9/22-12/2/24)
45. Pizzagate (14/10/22-20/2/24)
46. Coming Forth by Day (15/10/22-21/2/24)
47. Déjà vu all over again (3/11/22-28/2/24)
48. In my dream last night (21/10/22-5/7/23)
49. The House on the Strand (3/10/22-16/2/24)
50. Weather (17/10/22-22/2/24)
51. Living history (4/12/22-8/3/24)
52. Prisoners of K. Rd. (14/9/22-3/2/24)
53. Last days (20/11/22-4/3/24)
54. Catullus 101 (12/9/22-28/5/23)


55. No wars but in words (24-25/5/22)


56. Why do you write? (2/11/22-28/2/24)
57. Gaslighting (29/11/22-5/7/23)
58. Crash (26/11/22-5/3/24)
59. You need to get a job (28/10/22-26/2/24)
60. The Bard (22/10/22-24/2/24)
61. The usual suspects (5/10/22-16/2/24)
62. I used to quote (16/11/22-11/7/2023)
63. Not everything is an anecdote (20/10/22-23/2/24)
64. Mnemonics (31/10/22-8/5/23)
65. Houseboat Days (22/11/22-12/7/2023)
66. Emotionally labile (13/10/22-4/1/23)
67. The Killing Floor (7/12/22-5/7/23)
68. Experimental (9/12/22-8/2/24)
69. Frack away (4/11/22-29/2/24)
70. Bronwyn asked me (25/11/22-5/7/23)
71. Catfish or cats? (6/12/22-27/5/23)
72. Just Like the Others (27-28/10/20)

hypercube

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Blurb:

Each of us is made up of stories – family stories, work stories, relationship stories – even stories about trying to buy a revolving bookcase in Paeroa … Stories, too, about the country and the world we live in.

If you put them all together, the lines begin to connect up into the shape of a life: not a simple geometric figure, but the outline of a particular location in spacetime – a line, then a square, then a cube, then finally a four-dimensional hypercube, a tesseract.

An earlier version of this, Jack Ross’s latest poetry collection, was longlisted for the Kathleen Grattan award in 2025. He’s happy to present it here with a book design and lively illustrations by 2025 Arts Foundation Te Tumu Toi Springboard recipient, Scarlett Robinson-Kean.

'What makes this book resonate so deeply with me is movement. Physical and emotional movement. Not on a grand over-the-top flare of sentimentality but in small measured steps that favour contiguity. I relish the shift between what is easily witnessed in the everyday and what is much harder to fathom, what is retrieved in glimmers and shards across time. it is a collection that warrants a prolonged sojourn. Glorious.'

- Paula Green on Jack’s The Oceanic Feeling (2021)

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Jack Ross is the author of six poetry collections, four novels, and five books of short fiction, most recently Haunts (2024). He edited Poetry New Zealand / Aotearoa from 2014-2020, along with many other books, anthologies, and literary journals over the years.

He and his wife, crafter and art-writer Bronwyn Lloyd, share their house in Mairangi Bay with a regal three-legged cat named Mila.

Sources & Acknowledgments:

Thanks, above all, to Bronwyn Lloyd for your invaluable advice throughout the process – and also for giving me permission to take your name in vain in so many of the poems.

Thanks, too, to my brilliant illustrator and book designer Scarlett Robinson-Kean. This book would be a very different thing without your vivid sense of colour and form.

Many of the pieces included here have been previously published. Thanks to the editors and publishers of all those anthologies, journals, and websites for permission to reproduce them here. For further details, please visit https://ovidius-naso.blogspot.com/2026/03/notes-to-tesseract.html.

Lisa Baudry: Paper Table logo (2017)

Abstract:

Many of the 72 poems here have been published previously in periodicals or online. A complete list of these is available here. The book also features four artworks by New Zealand graphic novelist and illustrator Scarlett Robinson-Kean, painted specifically for this project.

The poems, too, are grouped into four sections. The first, 'No time but the present', gives an overview of my basic social and family setting.

The second, 'Chocolate Weetbix', goes back further in time. There are stories here about travels abroad and around New Zealand, and the effect they've had on me.

The third, 'Time in Poetry', expands the lens further. There are poems here about geological deep time, as well as other social and political implications of time.

The book concludes with a final section called 'No wars but in words.' Here I think more specifically about the reach of poetry and writing in general: the insights it offers us, and the limitations on its power.

The whole, I hope, adds up to a kind of 'representative life' - told, inevitably, by the person living it, since much of the information included here is privileged. By analogy, though, I hope it invites collaboration and comparison from the people who read it.

Lisa Baudry: Paper Table logo (2017)

Available:

Paper Table
Attn: Bronwyn Lloyd
6 Hastings Rd
Mairangi Bay
Auckland 0630

RRP: $NZ 40.00 (+ $12 postage)

Scarlett Robinson-Kean: They have arrived! (2/6/2026)

Reviews & Comments:

Lynley Edmeades, ed.: Landfall Tauraka 250 (Spring 2025)



1. Mel Stevens, email (October 13, 2025):
   

   
   Kia ora Jack
   
   I’m writing with thanks for submitting your manuscript for the 2025 Kathleen Grattan Poetry Award. I’m pleased to let you know that your work was longlisted this year – warm congratulations! It’s a wonderful achievement to have your manuscript recognised among such a strong and diverse field of entries.
   
   The winner will be announced later this week, along with details of the forthcoming Landfall Tauraka 250 issue, which will carry the judge’s report.
   
   Thank you again for sharing your work with us and for contributing to this year’s competition. We wish you all the very best for your ongoing writing.
   
   Ngā mihi nui,
   
   Mel Stevens
   Landfall Tauraka
   Otago University Press

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The Annotated Tree Worship (2017)

Cover design: Lisa Baudry

The Annotated Tree Worship:

Draft Research Portfolio. ISBN 978-0-473-41328-6. Paper Table Novellas 2 (i). Auckland: Paper Table, 2017. iv + 88 pp.

List of Topoi. ISBN 978-0-473-41329-3. Paper Table Novellas 2 (ii). Auckland: Paper Table, 2017. iv + 94 pp.

Cover design: Lisa Baudry

Contents:

Draft Research Portfolio:

Melancholy Boughs (26/8/12-29/1/13; 8/6/13-16/7/13)

1. Vastation - p.2
2. Voyage dans la lune - p.3

Blurb:

This Draft Research Portfolio is the first in a pair of twin novellas. A bored provincial academic has been ordered to provide a report on his research. The story he is telling doesn’t sound much like the translation of a sixteenth-century French novel he promised them, though. In fact, as his Head of Department writes indignantly in the margins of his work, it sounds more like madness.

•

List of Topoi:

Annotations (21/11/13-5/3/14)

1. Breaking - p.3
2. Entering - p.13
3. Marshes - p.22
4. Shores - p. 31
5. Margins - p.38
6. Tomb - p.47
7. Cave - p.56
8. Labyrinth - p.57
9. Eros - p.66
10. Dreams - p.75
11. Pictures - p.77
12. Food - p.82
13. Goddess - p.89

Blurb:

Workplace bullying lies at the heart of List of Topoi, the second in a pair of twin novellas by Jack Ross. Or does it? Perhaps there’s something stranger going on here. Just who is this narrator, anyway, and what kind of an agenda might he have?

Bio-note:

Jack Ross’s publications include five poetry books, three novels, two novellas, and two collections of short fiction. He is the managing editor of Poetry New Zealand, and works as a Senior Lecturer in Creative Writing at Massey University’s Albany campus.

Online Texts:

Tree Worship

Samples:

Draft Research Portfolio

List of Topoi

Available:

Paper Table
6 Hastings Rd
Mairangi Bay
Auckland 0630
New Zealand
Publisher's contact

RRP: $NZ40 for the pair

Brand design: Lisa Baudry

Reviews & Comments:

1. Bronwyn Lloyd, Launch speech introducing Paper Table Novellas (December 3, 2017):
   

   
   The first two books in the series are Jack Ross’s novella in two parts, The Annotated Tree Worship, and Letters to a Psychiatrist, written in the mid-70s by Leicester Kyle and distributed as a limited-edition pamphlet – now republished in 2017 in consultation with Leicester’s dedicated co-literary executor, Jack Ross. There are many overlapping themes in the two books, indicating that Jack’s reading of Leicester’s novella exerted a deep subliminal influence on him. That’s the reason I wanted the two books to come out together and I hope you’ll enjoy discovering the connections yourselves when you read them.



2. Richard Taylor, Online comment on The Imaginary Museum blog (December 9, 2017):
   

   
   I enjoyed the launch. I have read your first book. Very absorbing and the ref. to a story by Henry James got me reading that story. Very much enjoyed! I think just right. The trees from those ('talking') trees in LOTRS? I am now absorbed in your second.
   
   Novellas. A good form. I like the method of the second. Topoi. Typical topics. ...
   
   What you, Bronwyn and Lisa (the artist) and others are doing around Pania Press is great. Her art is good also. I like the covers.
   
   I urge readers to read these two. They are very absorbing, intriguing. Not just dry academic. Mix of fast and slow pace. Good stuff ...



3. Zoe Nash, "5 Minutes with ... Print Designer & & Illustrator, Lisa Baudry." Design Assembly (December 12, 2017):
   

   
   This week I’ve just signed off on some fantastic books with a new literary press, Paper Table. I designed the covers and inside pages. They are the first 3 books in an series of novellas. Each book features painterly botanicals on the covers. I’m hoping some of these designs will also make their way onto textiles somehow.



4. Tracey Slaughter, "Jack Ross's The Annotated Tree Worship" (Launch Speech at 6 Hastings Rd, 3rd December 2017):
   

   
   In the online blog which thickens the ‘garden of forked paths’ linking these fascinating books, Jack describes the plot of an Ursula Le Guin fantasy, where reality is ‘literally being dreamed into existence all around us’ and only a rare being can ‘stand outside and watch the unfolding strands of this multiverse.’ That rare master, to me, is Dr Jack Ross. There’s no one in New Zealand literature exploring the dark ways of narrative with the alchemical touch of Jack Ross, and his gift of spinning tales which jump ‘from track to track on the time-space continuum’ never fails to leave me exhilarated, in outright awe.



5. Garry Craig Powell, "Jack Ross's The Annotated Tree Worship," Facebook (29/7/18):
   

   
   Just read Jack Ross's novella The Annotated Tree Worship. A delight.



6. Vana Manasiadis, email communication (December 13, 2020):
   

   
   ... did I ever write to tell you how much I loved loved loved Annotated Tree Worship? I'm not sure I did, which is the height of dumb. So damn layered and funny and wry and smart and self-aware and sentences-to-die-for and Nabokovian all the way.

Bronwyn & Tracey at the launch

Complete Essay:
[reprinted by permission]

Tracey Slaughter. "Launch speech: Jack Ross's The Annotated Tree Worship." (3/12/17):

I first embarked upon my journey into the shady, forked world of The Annotated Tree Worship when I was simultaneously caught up in preparations for my own Draft Research Portfolio, that document of official torment whose compilation any academic learns to rightly dread. Be warned: PBRF is a perilous, or perhaps aphrodisiac, time to give yourself over to these sly, spellbinding twin books (with the third in the ‘troika’ lurking so cleverly, as you’ll see from the flyleaf, in an online blog link). Any Jack Ross fiction is always going to be a Siamese dream, a text which plays with the pleasures and hauntings of text itself, that toys with, clones and uncloaks characters, that lures you down corridors of narrative where alternate stories murmur beyond mirrored doors – and this delicious doubled (or tripled) novella features a disintegrating academic whose formal documents of scholarly performance soon start to splinter and seep, swerving from their purpose of testifying to publication outcomes and professional achievements into a strange haze of pathways that range from the pomo to the supernatural to the porno, his intellectual pursuits and ‘ponderings [increasingly] jerked off into dreams’ (as one poem from the blog puts it). Jack has always worked, as one critic said of David Mitchell, ‘as if writing from the helm of some perpetual dream machine,’ and the magnificent labyrinth of The Annotated Tree Worship proves no exception, glinting with Jack’s wicked gift for leading readers into places where stories spill and breed, strange realms replicate and twist reality, voices whisper like unharvested pages from the trees. When it may seem to masquerade at its most linear – and it does for long stretches, so that even the bullying scholarly reviewer whose disgusted comments pepper the margins can’t ultimately resist the dirty fixations and learned enticements of the tale Jack’s narrator spins – there are always myriad narrative threads and resonances being cast around the reader, to silkily pull their textual assumptions undone. We may feel on solid story ground as the narrator details his suburban neighbourhood, with its ‘strip of disputed land’ running the brink between his domicile and the mother/daughter duo next door, but this mundane boundary slippage just marks the first in a series of fused and overflowing thresholds, as the straightforward and scholarly slides into the subterranean, research directions stream into existential dread, bookish pursuits slither off-task into a sexy, sylvan hallucination. Forget thresholds. You’re in a Jack Ross book now. And books themselves are always portals, they’re never guides out, but only deeper in – though the narrator tries to decode his eerie experiences with a multitude of literary references, splendidly flourishing Jack’s own vast breadth of reading (which never fails to take my breath), this cultivated bibliophile is only ever descending into wilder kingdoms, with books arousing seamy leanings, conjuring malignant doubles, and translation tipping over into kinky delight. The carnal and uncanny are always uncoiling from the serpentine shapes of stories, as books fuel and pollute their readers’ fantasies and fears – at one point, the narrator begins to murmur a bedside story of De Bergerac to his lover, but it soon slips from its original form into a ‘spiced-up’ ‘embellished’ voyage, winding the riffs and nightmares of the speaker’s mind, crossing all generic thresholds – and of course, as the novella opens we’re in precisely this position as reader, ripe to be seduced. Books are no protection, they’re ‘joint hallucination[s],’ subliminal agents of all modes of chaos from the occult to the comical – all forms of official document the narrator employs to shore up his wavering psyche descend too into so many ‘psychotic claims,’ manuscripts vanishing and reappearing between novellas, the trail of any factual account always dissolving among ‘timebombs of testimony,’ folios swelled by sinful yearning, strange ‘vastations’ of doomed paper threatening to manifest other lives and selves. Pages are always darkened glass, through which ‘irreconcilable realities’ shimmer and ‘concepts cross in mist.’ In the online blog which thickens the ‘garden of forked paths’ linking these fascinating books, Jack describes the plot of an Ursula Le Guin fantasy, where reality is ‘literally being dreamed into existence all around us’ and only a rare being can ‘stand outside and watch the unfolding strands of this multiverse.’ That rare master, to me, is Dr Jack Ross. There’s no one in New Zealand literature exploring the dark ways of narrative with the alchemical touch of Jack Ross, and his gift of spinning tales which jump ‘from track to track on the time-space continuum’ never fails to leave me exhilarated, in outright awe. So buy these books, surrender to their pull, their mischief, their lyricism, their complexities, their visionary cunning, their satirical genius – you’ll love every moment lost in their intoxicating labyrinth. It's a thrill and an honour to be here to launch them – once again, all hail Jack Ross, the King of Alt, ‘disturber of all sorts of systems,’ ‘enemy of straight lines and clear destinations.’ And congratulations Paper Table on your championing of the New Zealand novella, and your launch of this trailblazing, engrossing and utterly original work.

Paper Table Books at Everest Base Camp
[photo: Sophia Lewis]

•

Letters to a Psychiatrist (2017)

Cover design: Lisa Baudry

Leicester Kyle. Letters to a Psychiatrist. Afterword by Jack Ross. ISBN 978-0-473-41327-9. Paper Table Novellas, 1. Auckland: Paper Table, 2017. iv + 87 pp.

Contents:

Leicester Kyle:

Letters to a Psychiatrist

Jack Ross:

Afterword: Welcome to Novella

Blurb:

What might happen if you decided to leave civilization behind and live rough on the West Coast of New Zealand’s South Island? Leicester Kyle’s intimate knowledge of the ecology of the region provides a solid underpinning to this compelling tale of a mid-life crisis that turns into a visionary quest.

Leicester by the longdrop
[photograph: Jack Ross (2000)]

Bio-note:

The Rev. Leicester Kyle (1937-2006) trained as a botanist before entering the Anglican Church in his twenties. He took early retirement in 1995 to devote himself to full-time writing. In pursuit of this, he moved to Millerton on the West Coast in the late 1990s. He is perhaps best known for his experiments in eco-poetics, but his prose work shows many of the same themes and concerns.

The twin websites set up by Leicester’s literary executors, David Howard and myself, have been designed to hold all of his extant work in electronic form, along with secondary and critical material.

Leicester in Millerton

Online Texts:

Leicester Kyle Index

Leicester Kyle Texts

Samples:

Paper Table

Jack Ross: Leicester in the Bush

Available:

Paper Table
6 Hastings Rd
Mairangi Bay
Auckland 0630
New Zealand
Publisher's contact

Brand design: Lisa Baudry

Reviews & Comments:

1. Stu Bagby, Launch speech for Leicester Kyle's Letters to a Psychiatrist (December 3, 2017):
   

   
   The book's blurb asks: “What might happen if you decided to leave civilization behind and live rough on the West Coast of New Zealand's South Island? ...”
   
   Or, perhaps we could say: It's a tale wherein the seventeenth century divine Norris of Bemerton, partly disguised as an unarmed Barry Crump/Robinson Crusoe, lets an omelette stand between him and sacrilege. (See Page 59).
   
   ... I wrote a small series of poems called “Letters to Leicester” one of which finishes by asking him: “perhaps you also saw The Secrets of the Great Illusionists Explained?” I was referring to a television programme, but over the years I've come to think I was onto something, that is, there was something of the shaman about him. Having said that, perhaps it is true of many priests.
   
   Reading Letters to a Psychiatrist sometimes reminded me of Graham Greene's whiskey priest, though I picture Leicester being more at ease with the sherry and fruit cake he once offered at a book launch
   
   ... Readers can be reassured that the writing employed in Letters to a Psychiatrist is not stilted or hard going. It is a beguiling read, written with skill and sureness. If today's publication could be described as a canoe with two outriggers, I have great pleasure in claiming that this third of the vessel has been launched.

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